Archives for category: architecture

I’ve always been amazed that for how popular lofts are that there hasn’t been a more rigorous investigation into what lofts are.  at least here in LA, developers were happy to crank out boxy, double high spaces with wire guardrails and call it a day.  my impression was these faux-lofts weren’t nearly as marketable as the more authentic, repurposed variety.

there are two other elements of lofts that work incredibly well with the qualities that developers seemed to identify to create extremely compelling as residential spaces.  one is the unbelievable suppleness of the materials- the rich textures of brick, the aromas of unfinished wood, and the sensuous smoothness of waxed concrete.  with these materials, a true loft space affects all of your senses in a richer, more palpable way than the gyp board and carpet of faux-lofts.

but another aspect of the loft that is inherently missed with a developer-fabricated space is the sense of history that comes with repurposing a space.  I worked for a cinematographer in the bowery who had this amazing ancient elevator that was the primary access for his third floor loft.  watching the floor slabs pass by through a flimsy metal gate, you were very well aware that the spartan design was not intended for residential use.  while a typical house can feel old, there is something about an architectural feature that was clearly built for another purpose that forces an acknowledgement of its history.

though it may not have been their intention, I think that the painters workshop by A31 is fairly successful at manufacturing a space that feels similar to a repurposed one.  the tall ceilings, semi-classical form, heavy window mullions, and the exposed concrete floor slabs all contribute successfully to an industrial feel, but it’s the board-formed concrete that really seems to resonate.  of all architectural materials, there are very few that feel as handmade as board-formed concrete.  the rough imprints of the boards might not be “old” themselves, but they create a connection to the process of building in a way that more historic buildings do.

by highlighting the handcrafted nature of their work, A31 has successfully created a new space that has the similar quality of a repurposed, older one.  the supple material choices and architectural decisions certainly help create the feel of a repurposed loft, but it’s the anachronistic reminder that buildings are hand crafted objects that make this space resonate in a way that other fabricated lofts cannot.

::from kitsune noir

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mammoth published a best architecture list that’s refreshingly devoid of anything built in beijing, by OMA, with curved alluminum and features some amazing projects that I hadn’t seen before. I’m not saying that the large hadron collider or the svalbard global seed vault should be on everyone’s list, but it’s an interesting assortment of projects and products from a very compelling viewpoint.

::from m.ammoth.us

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New York Sun Works teamed with Arup and The Vertical Farm Project to create an interesting and architecturally well thought out entry for the Buckminster Fuller Challenge. the Vertically Integrated Greenhouse solves two problems at once: by creating a facade system that incorporates agriculture into the skin food is grown within a building which reduces energy associated with transporting produce and solar heat gain is mitigated by the plants themselves. it’s an interesting idea, and creates a techy third option to the two methods of integrating agriculture into buildings, the rooftop garden and the enclosed agricultural zone.

while it’s a very interesting idea, I think it’s an idea that merits a 30 page essay of explanation as opposed to several paragraphs. some issues, like the crop-curtain wall integration, are very well thought out but the VIG is such a radical concept it almost poses more questions than it answers- while you might be able to put a $50 per square meter per year benefit to human productivity because of cleaner air, wouldn’t that cost be mitigated by the distraction of having agricultural workers maintaining the crops? would you really want farm integrated with your office? how does the energy reduction of the crops compare to energy costs of a hydroponic system of that scale and that inefficient layout?

the Vertically Integrated Greenhouse is a provocative project and an important one in how it could change the typical perception of agriculture and architecture. my suspicion is that farmers, architects, and others more directly involved with these fields are curious about v2.0

from ::cityfarmer.

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from ::BLDGBLOG

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alexis rochas’ green roof @ the FLAT building. from ::youngandbrilliant.

gizmag reports that adding green roofs to an urban area the size of detroit would be the equivalent of talking 10,000 SUVs and mid-sized trucks off of the road. that would be incredible in itself, but I find myself wondering if 1/5 of the USA’s vehicular emissions are from the transportation of food, then what would the be impact if these roofs weren’t just green but agricultural? what would be the impact if the vegetation wasn’t just counteracting vehicles emissions, but actually replacing the need to have emissions in the first place?

from ::planetizen.

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lately TOSD has been a little dormant… I was lucky enough to convince my amazing girlfriend to marry me, so blogging hasn’t exactly been at the center of my focus… but there’s a large, large backlog of topics so stay tuned over the next weeks, I should be posting a lot.

one subject that’s fairly timely- the chain of ecohomes competition just started their online voting process and two good friends of TOSD have a very compelling entry. maybe I’m biased, but my take is that their ability to merge sustainable design into a modern and contextual architecture is significantly higher than the other leaders at this point. they’re also one of two vote leading entries to incorporate agriculture into their design.

I feel very passionately about the benefits of urban and home based agriculture, so much so that you can look for an upcoming second blog devoted to the subject. but I think more importantly than simply suggesting that architecture can be used to grow food is the idea that sustainable design can provide for more than just itself. the majority of entries in the competition and the majority of contemporary sustainable work seems to be focused on sustainably providing for itself in terms of energy, resource and material use. but to begin to see architecture as having the ability to provide a sustainable platform for all facets of our lives is both visionary and inspired.

vote for 0218.

EDIT: voting has ended, but it’s an interesting selection of work to look at.

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these shots are from an interesting architectural exploration from the university of stuttgart, where willows and trees grow to become load bearing members of a 26′ tower.  as the trees develop, so does the structure and the program. 

what ‘s unique about this project as compared to projects like plantware and patrick dougherty‘s work is the demand placed upon the trees.  in other projects that either reappropriate plants to perform an alternative function or reorganize trees to provide enclosure, this example of building botany asks the trees to support more than their own weight.  in the spiegel online article there’s a description of how the architects need to manipulate the trees to become load bearing, which is an interesting process of placing lateral forces on the trees in order for them to develop a support for the steel platform.

which calls into question, how green is this? forgetting for a moment that this is a nascent technology and that with time it will certainly become more efficient, it would be interesting to see how much energy is used in weighting the trees versus creating the lumber necessary to frame the same structure. I think this project is brilliant, but too frequently we define what is sustainable very simplistically. for example, it takes five years for the average driver to counter the embodied energy of just the battery of a prius, much less the rest of the vehicle. in the case of building botany, does removing the fabrication process of lumber out of construction create a more sustainable building method or is there an economy involved in creating massive amounts of lumber at once and then shipping it very efficiently? it’s a little unclear, which is why I wish there was more published on this process. regardless, its an incredibly fascinating and thought-provoking development.

from ::treehugger.

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Sliding House

shawn gehle sent me Wallpaper*’s profile on alex de rijke’s sliding house.  the clip is exceptionally well shot and edited, and profiles a home who’s cladding mechanically slides away from the structure. 

mechanized building elements that can respond to different climate conditions have typically operated on the very small scale (nouvel’s institut du monde arabe)  to the very large scale (montreal’s olympic dome), but rarely on the scale of a house facade.  it would be interesting to see how the energy savings matched up with the emboddied energy and operational energy of the motor system, but regardless it’s a very interesting piece of architecture and certainly worth the four minutes it takes to watch the clip.

 dRMM’s website

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philipp schaerer’s photography is a unique examination of how build for relates to its context. his bildbauten series looks at buildings as negative space and his meereshorst series investigates a variable relationship of building form to its surroundings. schaerer’s work is a collection of fascinating minimalist images that seem to build off of the work of andreas gursky and carlo van de roer, but manages to manipulate the relationship of subject and surroundings in a very potent way.

from ::iso50.com

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dimitrie stefanescu posted step by step instructions on using the qhull grasshopper definition on his blog. it’s pretty thorough, so I thought it was helpful to see how you can load a sub-definition into your script.

it’s also interesting that qhull has created a grasshopper script. the two forces that brought us 4 years of voronoi architecture (david rutten, the creator of grasshopper and qhull) are intersecting paths again with similar geometry but in a new interface with implicit history.

from ::un didi